Lean Cat, Savage Cat

A riotous and raunchy novel about a woman whose search for Romy Haag, one of David Bowie’s former lovers, is sidelined when she falls into a deep obsession with a musician, who is often compared to Bowie, in pursuit of stardom

“Lean Cat, Savage Cat is the book that’s been missing from my reading habits: classically glamourous, timelessly seductive. Lauren J. Joseph is a wit and an assassin from one sentence to the next” —Torrey Peters, author of Detransition, Baby

Alone at a party, sipping her celery sour, Charli knows she’s in a rut. Kicking around with the rest of London’s bohemian dropouts, she has no idea what to do with her arts degree and her research project on Romy Haag—the transsexual disco singer and long-time lover of David Bowie—has all but stalled out. But her life takes a turn when she bumps into the mysterious Alexander Geist. Androgynously, glamorously handsome, he feels something like a soul mate, another love once lost and now found. Naturally, when he leaves for Berlin, Charli follows.

There, at the center of the city’s febrile party scene, Charli and Alexander embark on their great project: turn Alexander into the greatest pop star since David Bowie. But Alexander is elusive, mercurial; Charli is in over her head before she realizes just how self-destructive her life has become under his spell.

Lean Cat, Savage Cat is Isherwood one-hundred years on, it’s Nancy Mitford in the dark room, Bret Easton-Ellis amongst a raft of European low-lives scrabbling for success. It is the story of setting out in search of one thing and finding yourself in possession of something quite different, a book about obsession and excess, doppelgängers and disassociation, fame and fandom, the tyrannical return of unprocessed grief, and the terrible things we do to feel loved.