The Male Gazed

Praise For This Book

The Boston Globe, A Best Book of the Summer
Esquire, A Best LGBTQ Book of the Year
Them, A Most Anticipated Book
Electric Literature, A Most Anticipated Book of the Year

“The Male Gazed, by the queer Colombian writer and film critic Manuel Betancourt, is a smart, refreshing essay collection on the subject, and deals directly and honestly with the paradoxes surrounding the topic of men . . . It’s delightful, and perhaps cathartic, to see Betancourt turn the tables on masculinity by returning its gaze . . . A welcome perspective on a thorny, timely subject. Readers are sure to leave with a useful lens through which they can give masculinity a second look." —John Paul Brammer, The New York Times Book Review

"One of the Best New Books to Read in 2023." —Today

"How does one manage to intertwine astute observations on gender with a heartfelt recounting of 'staring agog' at Gaston in 1991’s Beauty and the Beast? Writer and critic Manuel Betancourt knows, and does so masterfully . . . As much as The Male Gazed is a riotous trip through a media memory lane, the book also provides an opportunity to rethink our ideas about masculinity as a whole, and to embrace new ways of talking about intimacy, identity and gender roles." —Carly Tagen-Dye, People

"Hilarious and provocative." —Melanie Curry, Cosmopolitan

"The Male Gazed . . . untangles the simultaneous threads of desire to be a beautiful man, or to be with beautiful men, then unravels the implications of all of it to understand how those threads form the self. Betancourt is a preeminent thinker . . . who brings true intellectual rigor to his analysis of contemporary media." —Michael Colbert, Esquire

"One of the joys of Betancourt’s expansive writing is how it invites readers to make their own connections, to slot their associations into the frameworks he presents as he fluidly examines a wide array media . . . Both criticism and memoir, the book holds no straightforward answers but insists that uncertainty and ambiguity are, in fact, the point." —Ilana Masad, them

"Betancourt's essays are thought-provoking, finely crafted, and hilarious." —BuzzFeed, A Most Anticipated Book of the Year

"[Betancourt] draws connections that feel both organic and surprising . . . The Male Gazed is a necessary and compulsively readable dissection of how pop culture both reflects and creates the world around us." —Richard Scott Larson, Slant Magazine

"Packed with a fascinating combination of personal stories and queer theory, The Male Gazed offers a fresh take on masculinity through a queer lens." —Tiernan Bertrand-Essington, Queerty

"Betancourt (Judy Garland's Judy at Carnegie Hall) makes gender theory both accessible and fun . . . [The] breadth of inquiry makes The Male Gazed feel well considered and charmingly personal as Betancourt denudes manhood of its preciousness. What he uncovers may be just enough to begin salvaging a robust and dynamic sense of masculinity from the toxic strains that have become so prevalent in social discourse." —Dave Wheeler, Shelf Awareness (starred review)

"[An] absorbing fusion of memoir and cultural analysis . . . A witty, educated, and entertaining analysis of the development of a writer’s queer desire." —Kirkus Reviews

"Smart and probing essays . . . Betancourt’s verve and wit elevate the prose, and the more personal entries are intimate and affecting . . . Readers won’t want to put this one down." —Publishers Weekly

"Witty, erudite, and self-revealing . . . Readers seeking an honest portrayal of one gay man’s voyage in the masculine imaginary will find a rich source of companionship." —Library Journal

"Manuel Betancourt crafts a style all his own in The Male Gazed: On Hunks, Heartthrobs, and What Pop Culture Taught Me About (Desiring) Men, a singular blend of cultural criticism, history, humor, and personal essays that sing, traversing continents, disciplines, and time—past, present, and future. Fascinating deep dives into carnal Almodóvar films, the iconic wrestling singlet, Ricky Martin thirst traps, and cartoon crushes are framed amid an unfolding coming-of-age narrative navigating queer and gender identity in Colombia and the United States. These pages sparkle with inherited pangs of pop culture nostalgia." —Emilly Prado, author of Funeral for Flaca

"In this sharp, sexy, and sparkling collection of essays, Manuel Betancourt leaves no rock-hard stomach unturned as he investigates how the most popular televised and filmic images of idealized masculinity are constructed, disseminated, and devoured by queer men, himself included. The Male Gazed is both history and his story: Betancourt deftly oscillates his critic's eye between the screen and the self too, reflecting on an upbringing in Colombia colored by swooning telenovelas and Disney's G-rated hunks, twinks, and twunks; on an adulthood in North America studded with friends turned lovers and lovers turned friends; on queer futures being made manifest in the present. Betancourt is a dream critic—as in, a fabulous scholar of dreams, of the desirous imagination." —Matt Ortile, author of The Groom Will Keep His Name

"A warm, personal dive into masculinity as it appears to us through pop culture. When Betancourt unpacks what it's meant to him to be a man, you can't help but trust every word." —Rax King, author of Tacky

"The Male Gazed goes deep on the perennial queer dilemma: Do I want to be them, or bang them? Grounded in film criticism, queer theory, and his childhood in Bogotá, Colombia, Betancourt dissects the heart-framed names in your grade school diary, from Hercules to A.C. Slater to Ricky Martin. In ten fascinating essays, Betancourt scrutinizes the unrealistic gender-based expectations embedded in nineties pop culture that millennials are still unpacking in therapy today. If Y2K-adjacent media ever made you feel weird about having a body—show of hands, please—you’ll learn a thing or two about yourself from The Male Gazed." —Grace Perry, author of The 2000s Made Me Gay

“Manuel Betancourt’s The Male Gazed is everything I want an essay collection to be: smart, funny, incisive, honest, and often very sexy, a bold and unabashed exploration of masculinity and queer desire through the lens of pop culture and obsession. From Disney movies, Ricky Martin, A.C. Slater and nineties fashion to Colombian telenovelas, anime, Almodóvar, and RuPaul’s Drag Race, Betancourt examines sexuality, selfhood, performance, and the body, asking what it means to see and be seen, and how we often first find ourselves in movies and TV—in seeing our lives and desires projected onscreen. Through a deft combination of personal narrative and cultural criticism, Betancourt looks to the past to imagine possibilities of queer future, his essays serving as both confession and battle cry: that we might see masculinity in more expansive ways, ‘to embrace the many multitudes it has always contained.’ As a fellow queer kid of the nineties, obsessed with Disney and desiring of a masculinity I didn’t know how to obtain, let alone name, I saw myself in this book. I’ll be re-reading and teaching and passing it along for years to come.” —Melissa Faliveno, author of TOMBOYLAND: ESSAYS